Exit from the Chinese room

The project "Exit from the Chinese Room" explores the emergence and gradual development of human consciousness through material form. The series constructs a sequence of states, from undifferentiated matter in which an inner space is only beginning to emerge, to the formation of a center of experience and a subsequent transition toward a dual orientation, where inner reflection is combined with openness to the external world.
In this project, ceramics function as a tool for thinking. The series consists of three blocks. The first block captures an embryonic state and the initial outlining of inner space. The second is represented by a single figure that marks the emergence of a center of experience and a primary egocentric sense of self. The third block is represented by three figures: two register the search for balance and the imbalance between inner experience and context, while the third registers their alignment.
The "exit from the Chinese room" is understood here as a transition from automatic reactions to conscious ones, in which integrated experience becomes internally sustained and begins to guide attention and action. The title refers to John Searle's thought experiment, the Chinese Room.
Birth

"Birth" consists of seven ceramic forms. They depict a path from absolute bodily isolation to the emergence of the first subjective presence, "I am." All objects are connected as a continuous biomorphic transformation. Changes in mass, complexity, and degree of openness convey key stages of sensory and cognitive development.
The concept is based on Global Neuronal Workspace Theory (GNWT). Within this framework, consciousness is understood as a state in which certain information, initially processed locally, becomes widely available to different brain functions and can guide attention, memory, and action. In this block, I focus on the sensory material of experience as the earliest and most visible carrier of development, showing how integrated events gradually emerge from dispersed signals and become capable of global availability. When such integrated events occur not just once but repeatedly, experience begins to organize around a stable center, a minimal sense of presence that can be described as the first "I am."
Each form corresponds to the state of the organism at a particular moment of development. The sequence begins with prebirth states, where experience is predominantly bodily and isolated, and moves toward post-birth states, where the world becomes external, multi-channel, and increasingly experienced as a unified scene. In the final stage, minimal consciousness appears as a stable subjective presence. The chronological frames are approximate and serve as a way of thinking about sequence rather than as a rigid biological scale.
Birth I: Zero Mass
Approximately months 1–4 of prenatal development
A smooth, closed form without openings. It depicts a state in which the body already exists, but for the organism itself there is still no division between inside and outside. Experience does not yet assemble into a unified picture; there is only a general bodily presence without a stable boundary.
Neurophysiological state: primary structures and the rudiments of sensory systems are forming, but the integration of signals at the cortical level does not yet have a mature architecture.


Birth II: Sensory Pulsation
Approximately month 5
The form remains closed, but the surface becomes wavelike. This represents a bodily state that already responds noticeably to movement, pressure, and changes of position. Each sensation exists separately and fades quickly, without forming a stable event.
Neurophysiological state: individual sensory channels become more active, and regular responses to stimulation appear.


Birth III: Loops
Approximately month 6
The form has pronounced curves and internal recesses. It evokes the first repetitive movements that return to a similar state. The organism begins to form simple sensorimotor loops in which movement and sensation are linked.
Neurophysiological state: connections between sensory and motor circuits strengthen, and more stable cycles of response emerge.


Birth IV: Coordination
Approximately month 7
Openings appear in the form, and the inner space becomes connected with the outer. Separate streams of sensation begin to merge into unified scenes. Touch, sound, and body position are increasingly experienced as related aspects of a single event.
Neurophysiological state: multimodal interaction and coordination between areas processing different signals increase; one can speak of strengthened integration and the formation of an "infrastructure of access," but claims about conscious scenes before birth remain interpretative.


Birth V: Flashes
Approximately month 8
The form elongates upward, and a clear direction appears. This is a state in which the system is ready for brief moments of wholeness: different sensory streams occasionally come together and take the form of a shared event with a beginning and a fading.
Neurophysiological state: short, still unstable moments of coordinated activity between different brain networks likely emerge.


Birth VI: Sensorium
Approximately month 9 and the moment of birth
The form is open and balanced, with a recognizable inner space. The organism increasingly experiences the world as coherent scenes rather than as a collection of separate stimuli. After birth, the intensity and diversity of stimulation increase sharply, and the scene becomes denser and more saturated.
Neurophysiological state: different areas of the brain begin to work together, and after birth experience more often assembles into coherent events that can be attended to.


Birth VII: Minimal Subjectivity
Approximately 4–6 months of life
The form creates an inner bowl as a stable container for experience. A sense of a center appears, and the world begins to be perceived from a particular point of view. This is not yet a reflective "Self" as a concept or image, but a minimal selfhood, a basic sense of presence that can be described as an early "I am."
Neurophysiological state: different parts of the brain increasingly work together, supporting attention, the holding of experience, and the integration of different sensations.


Crown and doubt

The form captures a state in which consciousness already has an inner center and begins to organize experience from a single point of reference. An "I" appears as the place where events are gathered and ordered. Sensations no longer exist as scattered impulses; they relate to one another and assemble into a sequential experience with direction and weight. The gathered outer rim of the form and its upward orientation emphasize this centrality and make it visible.
At the same time, the "crown" is not a state of completion. Waviness, asymmetry, irregularity, and inner tension show that the center is still unstable and exists in oscillation between concentration and disintegration. Openings in the shell break the closedness and make permeability part of the image, bringing inner dynamics outward and reminding us that this center of experience is already formed but still vulnerable to influences and not always able to maintain its own integrity.




The new Janus

This block is represented by three forms and describes a state of consciousness in which an already formed "I" begins to work simultaneously with inner experience and with what is happening externally. Consciousness is no longer focused only on itself, but it also does not fully dissolve into the outside. It enters a mode in which the inner and the outer are held at the same time.
The two smaller forms capture a phase of searching and imbalance. In one of them, consciousness is excessively turned inward. Experience closes in on itself, and reflection outweighs context. In the other form, movement is directed outward. Consciousness dissolves into the environment, reacts, but does not manage to assemble experience into a coherent inner structure. Both forms show extreme modes in which integrity is disrupted.
The large form captures a state of balance. The inner and the outer no longer oppose one another. They mutually support each other and form a single field of experience. The form holds space for inner observation while remaining open to the world. This is a state in which experience is not split into "self" and "world," but is lived as a continuous exchange between them.




Exit from the Chinese Room
Ceramics
Author: D. Romanov
2025